Chamado De Angola

The song "Chamado De Angola" by Abadá Capoeira is a heartfelt tribute to the origins and cultural significance of Capoeira, a Brazilian martial art that combines elements of dance, acrobatics, and music. The repetitive chorus, "Chama eu, Angola chama eu," translates to "Call me, Angola calls me," emphasizing a deep connection to Angola, the African country where Capoeira's roots lie. This refrain serves as a spiritual and cultural call to return to the origins and essence of Capoeira.

The lyrics narrate a journey to Africa, specifically to Angola, where the singer's master sought the foundational elements of Capoeira. This journey symbolizes a quest for authenticity and a deeper understanding of the art form. The mention of the embondeiro (baobab tree), the Cuanhama tribe, and the use of the Kimbundu language highlights the rich cultural tapestry of Angola and its influence on Capoeira. These references serve to educate listeners about the African heritage that is integral to Capoeira's identity.

The song also touches on the socio-political context of Angola, mentioning the ongoing struggles and the remnants of war, as seen in the line, "Pode ser campo minado, a guerra ainda ta lá" (It could be a minefield, the war is still there). This acknowledgment of Angola's turbulent history adds a layer of poignancy to the song, reminding listeners of the resilience and strength of the Angolan people. The lyrics also express a longing for peace and a spiritual connection, as seen in the lines about Dionísio Rocha singing for peace and the heart (muchima) beating strongly upon arrival in Angola.

"Chamado De Angola" is not just a song; it is a cultural and historical narrative that underscores the importance of remembering and honoring one's roots. It serves as a reminder of the deep connections between Brazil and Africa, and the enduring legacy of Capoeira as a symbol of resistance, resilience, and cultural pride.