Una Cancion Para La Magdalena

Adriana Varela's song "Una Cancion Para La Magdalena" is a poetic exploration of a complex and enigmatic character named Magdalena. The lyrics paint a vivid picture of a woman who exists on the fringes of society, symbolized by her association with a gas station and the colorful lights that beckon travelers. Magdalena is portrayed as a figure of both temptation and salvation, offering solace to those who are lost or lonely. The song's narrator advises the listener to approach Magdalena with respect and generosity, hinting at her ability to provide comfort and understanding in a world that often feels cold and indifferent.

Magdalena is described as the "virgin of sin" and the "bride of the flower of saliva," metaphors that suggest a blend of purity and sensuality. She is a paradoxical figure, embodying both the sacred and the profane. The lyrics also reference her as the "most forbidden of fruits," a nod to the biblical story of Eve and the apple, further emphasizing her role as a temptress. Despite her profession, Magdalena is depicted as having a heart "so five-star" that even the son of a god was captivated by her. This divine reference elevates her status, suggesting that her allure transcends mere physical attraction and touches on something more profound and spiritual.

The song also delves into themes of loneliness and redemption. The narrator speaks to those who are "more alone than the moon," encouraging them to seek out Magdalena's company. Her presence offers a form of redemption, a chance to feel connected and understood. The lyrics suggest that in the house of Maria de Magdala, "bad company is the best," implying that those who are often judged or marginalized by society can offer the most genuine companionship. Magdalena's character serves as a reminder that love and understanding can be found in the most unexpected places, and that redemption is available to all, regardless of their past.