Merci maman, merci papa

Agnès Bihl's song "Merci maman, merci papa" is a poignant critique of global injustices and the suffering of children around the world. The lyrics juxtapose the idealistic notion that all men are born free and equal with the harsh reality that this is far from true. Bihl uses a repetitive structure to emphasize the disparity between the privileged and the oppressed, highlighting how circumstances of birth can dictate one's fate. The refrain, "Merci papa, merci maman," is laden with irony, thanking parents for a world where inequality and suffering are rampant.

The song delves into various forms of child suffering, from hunger and war to exploitation and abuse. Bihl paints a grim picture of children in war-torn countries, where civil strife and business interests intersect, leading to the proliferation of child soldiers. She criticizes the West's passive observation of these atrocities, suggesting that while walls may not have ears, the West has cameras but chooses to remain indifferent. This indifference is further underscored by the line, "La suite de Nuit et Brouillard," referencing the Holocaust documentary, implying that history's horrors are being repeated.

Bihl also addresses the economic disparities that exacerbate these issues. She points out that while medical advancements are made, they are not accessible to everyone, particularly in Africa, where diseases like AIDS continue to ravage populations. The song's tone is one of bitter resignation, acknowledging that these injustices are systemic and deeply ingrained. The final verses bring the focus back to personal suffering, with Bihl reflecting on her own childhood and the anger it has instilled in her. The song ends on a note of defiance, rejecting the status quo with the line, "C'est bon, c'est non!"