Esclava Del Mal

Alaska y Dinarama's song 'Esclava Del Mal' delves into the dark and mystical world of witchcraft and alchemy. The lyrics paint a vivid picture of a ritualistic process, where various grotesque ingredients like 'sapos, culebras y bichos muertos' (toads, snakes, and dead bugs) and 'dientes, urracas y amuletos' (teeth, magpies, and amulets) are combined in a crucible. This imagery evokes a sense of ancient, forbidden practices, hinting at the transformation of these elements into something powerful and sinister. The repeated mention of 'dos horas ni una más' (two hours, not a minute more) adds a sense of precision and ritualistic discipline to the process, emphasizing the meticulous nature of the dark arts being described.

The chorus reveals the protagonist's identity as a 'profesional' with a 'carnet de identidad' (identity card), suggesting a formal recognition of her skills in the dark arts. The phrase 'esclava del mal' (slave of evil) indicates a deep, perhaps unwilling, commitment to malevolent forces. The mention of a 'gran amistad con satanás' (great friendship with Satan) further cements the protagonist's connection to the dark side, portraying her as someone who has embraced or been consumed by evil.

Alaska y Dinarama, known for their provocative and avant-garde style, often explore themes of rebellion, identity, and the supernatural. 'Esclava Del Mal' fits within this framework, using vivid and unsettling imagery to challenge societal norms and delve into the taboo. The song can be seen as a commentary on the allure and danger of power, the thin line between control and enslavement, and the consequences of delving too deeply into forbidden knowledge. The dark, almost theatrical presentation of the lyrics invites listeners to question their own boundaries and the nature of evil itself.