Con permiso

Alberto Mastra's song "Con permiso" is a heartfelt homage to the traditional dance and music form known as milonga. The lyrics are imbued with a sense of nostalgia and reverence for this cultural expression, which has deep roots in the social fabric of the Río de la Plata region. The song opens with the milonga personified, returning to those who once danced to its rhythm, symbolizing a reunion with its past glory and the people who cherished it. This return is not just a physical one but an emotional and cultural revival, aiming to reclaim its place as the muse of the people.

The chorus, "Con permiso, si me dejan, con permiso," reflects a humble yet determined plea for acceptance. The milonga, aware of its age and the passage of time, seeks permission to dance once more, not wanting to be a burden but rather a cherished presence. This humility is coupled with a poignant awareness of its own decline, as it asks not to be reminded of its aging, fearing the emotional pain it would cause. This personification of the milonga as an aging yet proud entity adds a layer of depth to the song, highlighting the emotional connection between cultural heritage and personal identity.

The final verse acknowledges the inevitability of loss and the passage of time, with the milonga understanding that it may be forgotten. However, it finds solace in the loyalty of those who remember it, even if it is out of sadness for its faded glory. The reference to Carriego, a poet known for his works on the life and culture of Buenos Aires, suggests a final resting place for the milonga in the annals of cultural history. This ending underscores the resilience of the milonga, as it continues to pretend to be invincible, embodying the enduring spirit of a cultural tradition that refuses to be forgotten.