Police

Alborosie's song "Police" is a powerful commentary on the systemic oppression faced by Rastafarians, particularly those who wear their hair in dreadlocks, often referred to as 'natty dreadlocks.' The chorus, which repeats the plea for policemen and soldiers to stop pressuring natty dreadlocks, sets the tone for the song's message. This repetition emphasizes the ongoing and relentless nature of the harassment faced by Rastafarians, making it clear that this is not an isolated incident but a widespread issue.

In the first verse, Alborosie addresses a figure named Mr. Brown, symbolizing authority figures like police officers. He asserts his rights and clarifies that he is not looking for trouble, merely walking in New York City. However, his appearance as a 'natty natty'—a person with dreadlocks—automatically subjects him to suspicion and problems. This verse highlights the racial profiling and discrimination that Rastafarians often endure, simply because of their cultural and religious identity.

The second verse delves deeper into the personal experience of being targeted. Alborosie describes smoking a spliff, a common practice among Rastafarians who use marijuana for spiritual purposes. Despite this, he is treated like a terrorist, with more officers (referred to as 'Babylon') arriving to escalate the situation. This verse underscores the criminalization of Rastafarian practices and the misunderstanding of their culture by law enforcement.

In the third verse, Alborosie lists his ID, passport, and ganja, asserting that he owes no further explanation. He expresses disdain for agencies like the CIA and DEA, which are often seen as oppressive forces against Rastafarian communities. The verse concludes with a call for love and joy, contrasting the aggression faced with a message of peace and spirituality. This juxtaposition serves to highlight the unjust nature of the harassment and the peaceful intentions of the Rastafarian way of life.