Trece

Alexander Abreu y Havana D'primera's song 'Trece' delves into the complexities of a tumultuous relationship marked by deception and mistrust. The lyrics paint a vivid picture of a man who feels betrayed by his partner, who he believes is not being honest about her actions and whereabouts. The repeated lines 'Mami tú que crees que yo estoy loco' and 'Que yo no veo lo que esta pasando' highlight his frustration and disbelief at her behavior, suggesting that she thinks he is oblivious to her deceit.

The song uses various metaphors and cultural references to deepen its narrative. For instance, the mention of '12' and '50' could be interpreted as symbolic numbers representing different characters or situations in the story. The reference to 'El lobo que se mete en la casa de la Habuelita' alludes to the classic tale of Little Red Riding Hood, drawing a parallel between the deceptive wolf and the woman's actions. This metaphor underscores the theme of hidden intentions and the danger of being misled by appearances.

Musically, 'Trece' is infused with the vibrant rhythms and melodies characteristic of Cuban music, blending elements of salsa, mambo, and timba. Alexander Abreu, known for his powerful trumpet playing and soulful voice, brings an emotional depth to the song that resonates with listeners. The energetic instrumentation and dynamic arrangement reflect the intensity of the emotions conveyed in the lyrics, creating a compelling and immersive listening experience.

The song also touches on broader themes of love, trust, and the consequences of dishonesty. The line 'El amor es dulce, el amor es sano' contrasts the ideal of pure love with the reality of the woman's reckless behavior, emphasizing the dissonance between what love should be and what it has become in their relationship. This contrast serves as a poignant reminder of the importance of integrity and mutual respect in maintaining a healthy and fulfilling partnership.