Coplas orientales por cifra y milonga

Alfredo Zitarrosa's 'Coplas orientales por cifra y milonga' is a poignant exploration of love, social class, and the inherent struggles faced by the less fortunate. The song, a compilation of traditional verses, reflects the cultural and social realities of rural Uruguay, where Zitarrosa's music often finds its roots. The lyrics are rich with metaphors and vivid imagery, painting a picture of the complexities of human relationships and societal hierarchies.

The song opens with a stark contrast between the virtues and vices of women, suggesting that a good woman is invaluable, while a bad one is beyond redemption. This dichotomy sets the tone for the rest of the song, where love and hardship are intertwined. The imagery of climbing a pine tree to catch a glimpse of a loved one, only to find the tree weeping in sympathy, underscores the deep emotional pain and longing that love can bring.

Zitarrosa also delves into the theme of social inequality, particularly the plight of the poor. The verses highlight the futility and frustration of a poor man in love, especially when a wealthier rival appears. This is further emphasized by the metaphor of a poor gaucho and green wood being cast aside, symbolizing how society often marginalizes the less fortunate. The comparison of women to the devil and scorpions, who flee from a poor gaucho, reflects the harsh reality of social rejection based on economic status.

The song concludes with a reflection on the nature of suffering, suggesting that all forms of pain are equally burdensome. The shift from yearning to see a loved one to the sorrow of having seen them encapsulates the bittersweet nature of love and life. Through 'Coplas orientales por cifra y milonga,' Zitarrosa masterfully captures the essence of human emotion and social commentary, making it a timeless piece that resonates with listeners across generations.