Milonga de contrapunto II

Alfredo Zitarrosa Alfredo Zitarrosa

The Soul of the Milonga: A Dialogue of Struggle and Hope

“Milonga de contrapunto II” by Alfredo Zitarrosa is a profound dialogue between two voices, each representing different perspectives on life, struggle, and the role of the artist. The song is structured as a conversation, with each verse alternating between the two singers, Y.P. and A.Z., who share their thoughts on existence, creativity, and the power of music.

The lyrics begin with Y.P. reflecting on the fleeting nature of life and the sacrifices made for the benefit of others. This sentiment is echoed by A.Z., who expresses a sense of incompleteness and the fear of not finding the right words to convey his thoughts. The recurring theme of uncertainty about the future and the desire to see the dawn of a new day is palpable, highlighting the existential angst that many artists face.

As the song progresses, Y.P. and A.Z. delve deeper into the significance of their craft. Y.P. emphasizes the timeless nature of the milonga, suggesting that even if he doesn't sing it, his people will. This idea of music as a collective cultural heritage is contrasted by A.Z.'s concern about songs being forgotten. The dialogue touches on the essence of true artistry, with Y.P. asserting that genuine singing happens in the moment, not for posterity.

The final verses bring a sense of camaraderie and mutual understanding. Both singers acknowledge the struggles they face and the importance of their roles as artists. They conclude with a hopeful note, believing that the people will carry forward the songs of the future. This ending underscores the enduring power of music as a means of expression and resistance, a theme central to Zitarrosa's work and the broader tradition of Latin American folk music.

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  1. Sin caballo y en Montiel
  2. Al Comandante Ernesto Che Guevara
  3. Milonga de Pelo Largo
  4. La amorosa
  5. Explicación de mi amor
  6. La coyunda
  7. La cuna
  8. Mi noche triste
  9. La donosa
  10. Crece desde el pie
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