Kinjirareta Asobi

ALI PROJECT's 'Kinjirareta Asobi' (Forbidden Play) is a hauntingly beautiful song that delves into themes of forbidden love, loneliness, and the intertwining of pain and desire. The lyrics are rich with gothic imagery and metaphors, painting a picture of a love that is both passionate and tormented. The recurring motif of roses, often associated with beauty and pain, symbolizes the dual nature of the relationship described in the song. The 'rose collar' and 'rose handcuffs' suggest a bond that is both beautiful and restrictive, highlighting the paradox of a love that is both cherished and cursed.

The song's protagonist seems to be trapped in a cycle of longing and despair, as indicated by lines like 'my heart is still moving inside the coffin called myself' and 'lonelier than darkness is solitude.' This suggests a deep internal struggle, where the protagonist's love is both a source of life and a cause of suffering. The imagery of kneeling and offering 'bitter drops of love' to an angel further emphasizes the sacrificial nature of this love, as if the protagonist is willing to endure any pain for the sake of their beloved.

Cultural references to religious symbols, such as the cross and the angel, add another layer of complexity to the song. These elements suggest a love that transcends the earthly realm, touching on themes of eternal devotion and spiritual conflict. The mention of 'black Mariaju' and 'pure lips' implies a contrast between sin and purity, further complicating the nature of the relationship. The song's dark, elegant tone is characteristic of ALI PROJECT's unique style, which often blends classical music with modern, gothic elements to create a rich, immersive experience.