Moraleja

Almafuerte's song 'Moraleja' is a powerful expression of Argentine identity and pride. The lyrics reflect a deep connection to the land and its history, spanning from the Atlantic to the Andes, and from the green Chaco to the icy regions of Tierra del Fuego. The singer emphasizes his desire to sing the 'macho native song' of his nation, highlighting a sense of belonging and a need to assert his place within the cultural tapestry of Argentina. This is not just a personal declaration but a broader commentary on the shared heritage and struggles of the Argentine people.

The song also delves into the historical and cultural aspects of Argentina, referencing the Pampas of the Ranquel and the sierras of the Comechingón. These references are significant as they evoke the indigenous roots and the tumultuous history of the region, particularly the 'malón,' which refers to the raids by indigenous groups. The phrase 'El que no coje se deja' (loosely translated as 'He who doesn't take, gets left behind') serves as a stark moral lesson, underscoring the harsh realities of survival and resilience in a land marked by conflict and hardship.

Furthermore, 'Moraleja' touches on social issues, such as poverty and the exploitation of faith. The mention of 'poor children who are not hungry' and 'the appearances of the bad light' (a reference to a local superstition) juxtaposes the harsh realities of life with the false promises of salvation. The song critiques the exploitation of religion for monetary gain, as seen in the lines about the 'Christ the savior' and the 'tithe, sir.' This critique is a call to recognize and address the social injustices that persist in Argentine society. Through its raw and unfiltered lyrics, 'Moraleja' captures the essence of Argentine identity, history, and the ongoing struggle for social justice.