Como Un Martillo En La Pared

Amaral's song 'Como Un Martillo En La Pared' delves into the themes of judgment, power, and the cyclical nature of history. The lyrics open with a series of rhetorical questions aimed at those who assume the roles of judge, jury, and executioner. This sets the stage for a critique of the arbitrary and often unjust exercise of power. The singer questions the legitimacy of those who decide what is trivial and what is profound, hinting at the subjective nature of such judgments and the potential for envy to corrupt these decisions.

The chorus, 'La historia se repite una y otra vez, como un martillo en la pared,' emphasizes the repetitive nature of history, likening it to a hammer striking a wall. This metaphor suggests a relentless, almost mechanical cycle of events that seem inescapable. The imagery of a hammer and a wall conveys a sense of force and inevitability, highlighting the difficulty of breaking free from these patterns. The song also touches on the idea of personal freedom and the struggle to achieve it in a world where judgment and condemnation are pervasive.

In the latter part of the song, the lyrics shift to a more personal perspective, describing the emotional toll of being judged and condemned. The line 'Ya no es importante quien tiró la primera piedra' suggests that the initial act of judgment is less significant than the cumulative effect of subsequent condemnations, which have buried the singer's soul. Despite this, there is a glimmer of hope in the desire for a new era that brings freedom for all, even though the singer acknowledges the improbability of such a reality. The song concludes with a powerful image of a gun firing repeatedly, reinforcing the idea of relentless, inescapable cycles of judgment and violence.