Son de negros en Cuba

Ana Belén's song "Son de negros en Cuba" is a poetic and evocative tribute to the rich cultural tapestry of Cuba, particularly Santiago de Cuba. The lyrics are filled with vivid imagery and metaphors that paint a picture of a land brimming with life, history, and emotion. The recurring phrase "Iré a Santiago" (I will go to Santiago) serves as a refrain that underscores the singer's deep longing and commitment to visit this vibrant city. This repetition not only emphasizes the importance of the destination but also creates a rhythmic cadence that mirrors the musical traditions of Cuba.

The song is replete with natural and cultural symbols. References to the full moon, palm trees, and the sea evoke the island's lush landscape and its connection to nature. The mention of "Fonseca" and "Romeo y Julieta" alludes to famous Cuban cigars, symbolizing the country's rich heritage and craftsmanship. The imagery of "mar de papel y plata de monedas" (sea of paper and silver coins) and "arpa de troncos vivos, caimán, flor de tabaco" (harp of living trunks, caiman, tobacco flower) further enriches the song's tapestry, blending elements of the natural world with human artistry and tradition.

Ana Belén's delivery of the song adds another layer of depth. Her voice carries a sense of nostalgia and reverence, making the listener feel the weight of history and the beauty of the present moment. The song's structure, with its repetitive and rhythmic elements, mirrors the traditional Cuban son, a genre that blends African and Spanish musical influences. This connection to son not only pays homage to Cuba's musical roots but also highlights the island's cultural diversity and resilience.

"Son de negros en Cuba" is more than just a song; it is a celebration of Cuban identity and a testament to the enduring spirit of its people. Through its rich imagery and heartfelt delivery, Ana Belén invites listeners to embark on a journey to Santiago, experiencing the sights, sounds, and emotions of this remarkable place.