Cambalache

Andrés Calamaro's rendition of 'Cambalache' is a poignant critique of societal decay and moral ambiguity. Originally written by Enrique Santos Discépolo in 1934, the song's lyrics remain strikingly relevant, reflecting a world where ethical boundaries blur and chaos reigns. The opening lines set the tone, declaring that the world has always been a mess, filled with deceit, corruption, and a mix of joy and sorrow. Calamaro's delivery emphasizes the timelessness of these issues, suggesting that the 20th century, in particular, has been a showcase of blatant wickedness and moral decline.

The song's central theme revolves around the idea that in contemporary society, distinctions between right and wrong, wisdom and ignorance, and honesty and deceit have become meaningless. The lyrics lament that everyone is treated the same, regardless of their moral standing, and that the immoral have leveled the playing field. This equalization of values is portrayed as a travesty, where respect and reason are trampled, and anyone can be a gentleman or a thief. The mention of historical and fictional characters like Stavisky, Don Bosco, and Napoleon further illustrates the absurdity and disrespect in the societal 'cambalache' or jumble.

'Cambalache' also touches on the futility of striving for integrity in a world that rewards dishonesty and exploitation. The phrase 'el que no llora, no mama, y el que no afana es un gil' underscores the cynical view that only those who cry out or steal get ahead, while the honest are left behind. The song concludes with a resigned acceptance of this chaotic reality, urging listeners to stop worrying about honor and to recognize that everyone, whether hardworking or criminal, will ultimately meet the same fate. Calamaro's interpretation of this classic tango resonates deeply, offering a sobering reflection on the persistent and pervasive nature of societal corruption.