Los Divinos

In 'Los Divinos,' Andrés Calamaro delves into the disillusionment and existential angst that permeate modern life. The song opens with the imagery of a broken pitcher and an empty fountain, symbolizing shattered dreams and unfulfilled desires. This sets the tone for a narrative where the protagonist awakens to a reality that is no longer indifferent, suggesting a newfound awareness or consciousness. The absence of 'destinos' (destinies) and 'divinos' (divine beings) further emphasizes a world devoid of higher purpose or guidance, where even the 'metales' (metals) and 'pianos' (pianos) are out of tune, representing a lack of harmony and order.

Calamaro paints a picture of a desolate city, where the protagonist feels isolated and ignored. The repetition of 'la ciudad se queda sola' (the city remains alone) and 'nadie me da bola' (nobody pays attention to me) underscores a sense of loneliness and alienation. This urban solitude is contrasted with the oppressive heat of summer, a metaphor for the stifling and relentless nature of modern existence. The line 'siempre hay alguien al costado, sin aire acondicionado' (there's always someone beside you, without air conditioning) highlights social inequality and the shared yet unspoken struggles of city life.

The refrain 'hoy es hoy, ayer fue hoy, ayer' (today is today, yesterday was today, yesterday) reflects a cyclical and monotonous perception of time, where days blend into each other without distinction or meaning. This repetition reinforces the theme of existential ennui and the search for significance in a seemingly indifferent world. By questioning the existence of destinies and divine beings, Calamaro invites listeners to reflect on their own lives and the societal structures that shape their experiences. 'Los Divinos' is a poignant commentary on the human condition, capturing the essence of urban disillusionment and the quest for meaning in a chaotic world.