Son Las Nueve

In 'Son Las Nueve,' Andrés Calamaro delves into the chaotic and therapeutic nature of songwriting. The song opens with a disorienting realization of time, 'Son las nueve, yo creí que eran las tres,' reflecting a life consumed by the creative process. This disorientation is not just about time but also about the emotional and physical toll of his craft. Calamaro speaks of trembling and fire, metaphors for the intense passion and perhaps the destructive nature of his dedication to music. The 'incendio' or fire represents the cost of this passion, a debt that must be paid.

Calamaro reminisces about the 'maratones' or marathons of songwriting, where he would tirelessly create music. These sessions were both a 'buena pesca' or good catch and a source of pain. Yet, he finds solace in the hope that the pain might disappear and that he might one day repeat these dangerous yet rewarding experiences. The 'arma cargada de polvo' or loaded gun of dust symbolizes the potent yet risky nature of his songs. In the hands of a 'artesano de canciones' or a craftsman of songs, this weapon can be worth the risk if the 'veneno no envenena' or if the poison does not poison.

The song also touches on the personal sacrifices and rewards of his art. Calamaro describes breaking records and enduring 'tiempos coronarios' or coronary times, indicating the physical strain of his lifestyle. Despite this, his songs are his 'recompensa' or reward. These songs, born from real pain, are his way of coping and connecting with others. He acknowledges that if his music can make others shed a tear or sing along, it is a prize more valuable than money, which he already has, along with sadness. This poignant reflection on the duality of creation and suffering highlights the profound impact of music on both the artist and the audience.