Galapaguito (o Nana de Sevilla)

Ángel Parra's rendition of 'Galapaguito (o Nana de Sevilla)' is a poignant lullaby that delves into themes of abandonment and societal neglect. The song, originally compiled and harmonized by the renowned Spanish poet Federico García Lorca, tells the sorrowful tale of a child born to a gypsy woman who is subsequently abandoned. The repetitive structure of the lyrics, with its alternating affirmations and negations, emphasizes the child's plight and the cyclical nature of his misfortune.

The lyrics paint a vivid picture of a child who lacks the basic necessities of life, such as a mother and a cradle. The repeated lines 'no tiene mare' (doesn't have a mother) and 'no tiene cuna' (doesn't have a cradle) underscore the child's vulnerability and the harsh reality of his existence. The mention of the gypsy woman who gave birth to the child and then cast him out into the street adds a layer of cultural context, highlighting the marginalization and hardships faced by the gypsy community in Spain.

Ángel Parra, a prominent figure in Latin American folk music, brings a unique emotional depth to this traditional Spanish lullaby. His interpretation is imbued with a sense of melancholy and empathy, making the listener acutely aware of the child's suffering. The song serves as a powerful reminder of the social issues that persist in society, such as child abandonment and the stigmatization of marginalized communities. Through 'Galapaguito (o Nana de Sevilla),' Parra not only preserves a piece of cultural heritage but also invites reflection on the enduring struggles of the less fortunate.