Der Wein Der Lumpensammler, 1923

Angizia Angizia

The Wine of the Ragpickers: A Tale of Survival and Solidarity

Angizia's song "Der Wein Der Lumpensammler, 1923" is a poignant narrative that delves into themes of poverty, survival, and the stark contrasts between the rich and the poor. The lyrics, delivered by Elias Hohlberg and the Lumpensammler (ragpickers), paint a vivid picture of a society where wine, a symbol of wealth and indulgence, becomes a lifeline for the destitute.

The song opens with Elias offering wine to a musician, urging them to drink away their sorrows and pain. This act of sharing wine, referred to as "Philistertrank" (Philistine drink), symbolizes a temporary escape from the harsh realities of life. The mention of playing for the "Judenstadt" (Jewish town) and the celebration of the "kleinen Bettelmann" (little beggar) highlights the communal aspect of their existence, where even the smallest joys are cherished.

As the song progresses, Elias reflects on the nature of wine as a gift that the rich enjoy but rarely share with the poor. The imagery of the grape being plundered by the wealthy and the wine flowing through the veins like a precious stone in the Tsar's court underscores the inequality and exploitation faced by the impoverished. The Lumpensammler, in their chorus, express a desire to embrace their identity as ragpickers, finding dignity and solidarity in their shared struggles and the wine that binds them together.

The final verses recount the journey of Elias and his friends, who transported wine to the impoverished regions of Russia during the post-World War I era. This act of defiance against the oppressive conditions and the cold, harsh environment serves as a testament to their resilience and the power of community. The song, dedicated to the poor of the wartime period, is a bänkellied (ballad) that captures the spirit of those who, despite their hardships, find strength in unity and the simple pleasures of life.

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  1. Mein Jahr In Lemberg, 1911
  2. Der Wein Der Lumpensammler, 1923
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