La Maria (feat. Ozuna)

Anuel AA's song 'La Maria,' featuring Ozuna, is a vivid portrayal of the gritty realities of street life, fame, and the constant presence of law enforcement. The lyrics are rich with references to wealth, power, and the ever-present threat of police intervention. Anuel AA, known for his raw and unfiltered style, uses this track to assert his dominance in the trap music scene, likening himself to Mufasa, the king of the jungle, and emphasizing his status as 'the god of trap.'

The recurring line 'Nos cayó la policía, boten la maría' (The police are here, ditch the weed) underscores the constant vigilance required to navigate a life intertwined with illegal activities. The mention of 'maría' (a slang term for marijuana) and the need to hide it quickly when the police arrive highlights the precarious balance between enjoying the spoils of their lifestyle and avoiding legal repercussions. This theme is further emphasized by the repeated imagery of carrying a gun ('la corta debajo del hoodie') and the readiness to defend oneself at all times.

Anuel AA also delves into themes of loyalty and betrayal, contrasting the superficial respect shown by others with the genuine fear and admiration he commands. The line 'Te llevo rosa' pa' tu funeral, cabrón, no e' ROSALÍA' (I'll bring roses to your funeral, bastard, it's not ROSALÍA) is a stark reminder of the violent consequences that can arise from crossing him. The song's references to wealth, such as 'Michael Phelps nadando en el dinero' (Michael Phelps swimming in money), and the luxurious lifestyle he leads, serve to reinforce his position at the top of the social hierarchy within his world.

Overall, 'La Maria' is a powerful narrative that captures the tension, danger, and opulence of Anuel AA's life, providing listeners with a glimpse into the high-stakes environment he navigates daily.