Muita Treta

Apocalipse 16's song 'Muita Treta' is a powerful commentary on the myriad struggles faced by marginalized communities in Brazil. The phrase 'muita treta,' which translates to 'a lot of trouble,' is a recurring motif throughout the song, emphasizing the pervasive challenges and injustices that the artist observes in society. The song opens with a critique of the lack of respect and the oppressive actions of the police towards humble citizens, highlighting the systemic abuse and violence that disproportionately affect the poor and vulnerable.

The lyrics also delve into political corruption, pointing out the betrayal by leaders who sell out their own people for personal gain. This betrayal allows foreign entities to exploit local resources and labor, leaving the native population with the worst conditions and mere scraps. The song paints a grim picture of a society where peace is a distant dream, and violence is a daily reality, with the sound of gunshots symbolizing the bloodshed among the artist's own community.

Education and social mobility are other critical themes in 'Muita Treta.' The artist laments the restricted access to education and the cycle of violence and incarceration that traps many young people. He calls for reflection and action to improve conditions for the community, advocating for non-violent revolution and genuine change. The song also criticizes the hypocrisy of those who preach consciousness and struggle but betray their values behind the scenes. The artist underscores the importance of integrity and warns that true justice and recompense come from a higher power.

'Muita Treta' also addresses historical and ongoing racial injustices, condemning the exploitation and cruelty inflicted upon indigenous and black populations. The artist envisions a future where power is reclaimed by those who seek justice, as promised in religious texts. The song concludes with a stark warning about the destructive impact of industries like alcohol and tobacco, which are seen as tools of oppression. Ultimately, the artist expresses hope for divine intervention, believing that the greatest reckoning will occur with the return of Jesus Christ, bringing ultimate justice and resolution to the 'muita treta' faced by society.