The Dance of Attraction and Awareness in 'Ella Sabe'

Ricardo Arjona's song 'Ella Sabe' is a poetic exploration of attraction and the silent communication that occurs between two individuals who are aware of each other's interest. The lyrics describe a woman whose physical appearance captivates the narrator, detailing her clothing and movements in a way that suggests both admiration and desire. Arjona uses metaphors such as 'Curvas de montaña rusa' (roller coaster curves) to emphasize the thrilling and perhaps dangerous allure of the woman's figure. The imagery of an 'albañil' (construction worker) becoming a poet or a 'soldadito' (little soldier) becoming a captain when they see her suggests that her presence has the power to transform ordinary men into something more significant, highlighting the impact of her beauty on those around her.

The chorus, 'Y ella sabe que la miro / Y yo sabiendo que ella sabe' (And she knows that I watch her / And I knowing that she knows), captures the essence of mutual awareness in the game of attraction. The narrator is conscious of his gaze upon the woman, and she is aware of his attention, creating a dynamic where both parties are participants in a silent exchange. The phrase 'Meto el amor en un suspiro / Si es que en un suspiro cabe' (I put love in a sigh / If love can fit in a sigh) suggests that the narrator's feelings are profound yet unspoken, confined to the fleeting moment of a sigh.

Arjona's style often includes romantic themes, and 'Ella Sabe' is no exception. The song delves into the subtleties of unspoken communication and the intensity of desire that can exist in a single glance or gesture. It's a dance of knowing and being known, a delicate balance between expressing interest and maintaining the mystery that fuels the attraction. The song's narrative is a universal one, resonating with anyone who has experienced the silent, electric connection with another person.

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  3. La Nena ( Bitacora de Un Secuestro)
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