Uroboros

At0h's song 'Uroboros' delves into the cyclical nature of existence, knowledge, and evolution, drawing heavily on the symbolism of the Uroboros—a serpent eating its own tail, representing infinity and the eternal return. The lyrics suggest that what we believe to be true and solid, like a 'castle of sand on the shore of a windy city,' is fragile and transient. This metaphor highlights the impermanence of human knowledge and achievements, suggesting that our understanding and accomplishments may soon be 'ruined.'

The song questions the value of knowledge and progress, pondering whether self-destruction ('self-cannibalism') and conflict ('killing each other') are necessary for evolution and reaching 'infinity.' This reflects a deep existential inquiry into whether humanity's relentless pursuit of progress and dominance is ultimately futile or even self-destructive. The 'Great progenitor' mentioned in the lyrics could symbolize a creator or a foundational principle, urging a return to fundamental truths amidst the chaos of change and progress.

As the song progresses, it explores the concept of time and change, questioning whether the pursuit of eternity and infinite knowledge has driven us 'crazy.' The lyrics suggest a sense of inevitability in human actions, driven by hope and regret, and the paradox of striving for goals that may ultimately lead to our downfall. The mention of alchemy being 'complete' yet unsatisfactory points to the idea that even when we achieve our goals, they may not bring the fulfillment we seek. The recurring theme of the Uroboros emphasizes the endless cycle of creation and destruction, urging listeners to 'turn around and start again' until they understand the deeper truths of existence.