Morbo Porno

Attaque 77's song 'Morbo Porno' paints a vivid and provocative picture of Buenos Aires during the summer. The lyrics describe a city that is sweltering, both in temperature and in the heightened sensuality that seems to permeate every corner. The opening lines set the stage for this sensory overload, with the heat affecting not just the body but also the mind, creating a kind of collective madness. The imagery of the city as a grill ('parrilla') emphasizes the intensity of the heat and the raw, almost primal atmosphere it creates.

The chorus, with its repetitive and almost hypnotic chant of 'culo, teta, culo, teta,' underscores the omnipresence of sexual imagery and desire. This repetition mirrors the relentless bombardment of sexualized images in media and daily life, suggesting a society that is both obsessed with and numbed by its own desires. The term 'Morbo Porno' itself combines the ideas of morbid curiosity and pornography, highlighting a fascination with the taboo and the explicit.

The song also touches on social dynamics, particularly the interactions between different classes and regions. The mention of 'nativas de provincia' and 'obreros en el tren' points to a mix of people from various backgrounds, all caught up in the same whirlwind of lust and frustration. This chaotic blend of desire and discontent is portrayed as a uniquely Latin American experience, where fleeting moments of pleasure are sought as an escape from deeper societal frustrations. The song's final verses bring this theme full circle, depicting a world where there is no escape from the pervasive influence of sex and desire, whether on TV, in the streets, or even in the daily newspaper.

'Attaque 77' is known for their punk rock style, often addressing social and political issues with a raw and unfiltered approach. 'Morbo Porno' is no exception, using explicit language and vivid imagery to critique the hypersexualization and underlying tensions of contemporary urban life. The song's energetic and rebellious tone is a hallmark of the band's music, making it both a critique and a reflection of the society it describes.