Iemanja

Attaque 77's song 'Iemanja' delves into the futility of worldly pursuits and the ultimate insignificance of material achievements when compared to the grandeur of nature and spiritual existence. The lyrics juxtapose human endeavors such as fame, power, and progress against the timeless and all-encompassing presence of Iemanja, the goddess of the sea in Afro-Brazilian religions. This contrast highlights the ephemeral nature of human accomplishments and the enduring essence of natural and spiritual elements.

The song opens with a critique of the ambition to conquer the world through music, suggesting that such efforts are insignificant 'frente al mar' (in front of the sea). This metaphor extends to other human pursuits like glory, security, and triumph, which are depicted as fleeting and ultimately meaningless. The repetition of 'nada de eso existe' (none of that exists) serves to emphasize the transient nature of these achievements.

As the song progresses, it touches on various aspects of human life, including revolutions, humble poses, and the quest for self-improvement. Despite these efforts, the lyrics assert that only natural elements like air, water, and the sun hold true significance. The invocation of Iemanja, the sea goddess, in the final verse underscores the idea that she embodies the ultimate reality, rendering all other pursuits trivial. The song concludes with a powerful statement: 'Tú eres todo y nada más existe' (You are everything and nothing else exists), reinforcing the central theme of the song.

'Iemanja' serves as a poignant reminder of the limitations of human endeavors and the enduring power of nature and spirituality. It challenges listeners to reconsider their priorities and recognize the deeper, more meaningful aspects of existence.