Amén

In the song "Amén" by babi (ES), the artist delves into the complexities of maintaining one's authenticity in a world that often feels corrupt and suffocating. The recurring line, "Que no se me ha ido la olla," which translates to "I haven't lost my mind," sets the tone for a narrative that explores the tension between self-preservation and external pressures. Babi's lyrics reflect a deep-seated paranoia and a sense of being constantly watched or judged, which she refers to as a "mania persecutoria." This phrase captures the essence of feeling persecuted or targeted, a sentiment that many can relate to in a world where social media and public scrutiny are omnipresent.

The song also touches on the paradox of fame and adoration. Babi notes that the more people love and adhere to her, the more she seems to hate herself. This dichotomy is a powerful commentary on the isolating nature of fame, where public adoration can often lead to self-loathing and a loss of personal identity. The line, "Cuanto más les entretienes, cuanto más adquiere, parece que más te odias," translates to "The more you entertain them, the more you acquire, it seems the more you hate yourself." This highlights the emotional toll that comes with being in the public eye, where the pressure to perform and please others can erode one's sense of self.

Babi's lyrics are rich with metaphors and vivid imagery. She describes herself as "personal e intransferible," meaning personal and non-transferable, emphasizing her uniqueness and the difficulty others have in understanding her. The imagery of "comiendo techo" (eating the ceiling) and "tendiendo puentes" (building bridges) further illustrates her struggle to find peace and connection in a chaotic world. The song is a raw and honest portrayal of the artist's internal battles, making it a poignant reflection on the human condition and the quest for authenticity amidst external pressures.