Humanos Não Matam Deuses

Baco Exu do Blues' song 'Humanos Não Matam Deuses' is a powerful anthem of resilience and divine self-worth. The lyrics open with a tender moment where a woman caresses the scars of the protagonist, acknowledging his divine nature by calling him a 'preto divino' (divine black man). This phrase is repeated throughout the song, reinforcing the idea that despite the physical and emotional scars inflicted by society, his spirit remains unbroken. The assertion that 'humanos nunca matam deuses' (humans never kill gods) serves as a powerful metaphor for the indomitable nature of the human spirit, especially in the face of systemic racism and violence.

The song delves deeper into the protagonist's fears and the violence he faces. Baco Exu do Blues references the allegory of Plato's Cave, suggesting that society is trapped in ignorance and prejudice. The imagery of 'atirando pra pintar paredes' (shooting to paint walls) evokes the senseless violence that often targets black individuals. The mention of Orixás, deities in Afro-Brazilian religions, residing on his forehead, symbolizes spiritual protection and a celestial crown, further emphasizing his divine nature. The lyrics also critique cultural appropriation, pointing out that enjoying black culture does not equate to understanding or sharing the black experience.

The repetition of the chorus, where the woman caresses his scars and calls him divine, serves as a healing mantra. It is a reminder of the protagonist's worth and resilience. The song is a poignant commentary on the struggles faced by black individuals, the superficiality of cultural appropriation, and the enduring strength of the human spirit. Baco Exu do Blues uses his platform to highlight these issues, blending personal vulnerability with broader social critique, making 'Humanos Não Matam Deuses' a powerful and thought-provoking piece.