Sujismundo

In 'Sujismundo,' Baco Exu do Blues, alongside Bino and Djonga, delivers a raw and unapologetic critique of the rap industry and societal norms. The song's title, 'Sujismundo,' translates to 'Dirty World,' setting the tone for a track that doesn't shy away from confronting harsh realities. The repeated refrain, 'Rap sujismundo, rap rap sujismundo / Pé na porta, filho. E pau no cu do mundo,' emphasizes a rebellious stance, suggesting a forceful entry into the world and a disregard for its conventions.

Bino's verse delves into the struggles of authenticity in the rap scene, criticizing those who chase fame and views at the expense of genuine talent. He contrasts his own experiences growing up in the streets with those who claim to understand the 'hood' from the comfort of their elite neighborhoods. This verse highlights the disparity between lived experiences and fabricated personas, calling out the superficiality that often plagues the industry. Bino's lines, 'Realidade outra fita vida real não é clube / Seu super herói do rap só faz rima no youtube,' underscore the difference between real-life struggles and the glamorized versions seen online.

Baco's verse continues this theme of authenticity, dismissing the superficial fame and empty lyrics of other rappers. He uses vivid metaphors and references, such as comparing himself to Nero and Galileu, to illustrate his disdain for the status quo and his commitment to challenging norms. His line, 'Exu do blues, nasci pronto pra guerra,' signifies his readiness to fight against the industry's superficiality and maintain his integrity. Djonga's verse further amplifies this message, blending cultural references with sharp critiques of other rappers who lack depth and substance. His mention of 'macumba with photos of Hitler' and 'descendentes de alemão saudando Führer' serves as a powerful metaphor for the destructive and misguided influences in the rap scene.

Overall, 'Sujismundo' is a powerful anthem of defiance and authenticity. It challenges listeners to look beyond the surface and question the true value of the art and the artists they support. The collaboration between Baco, Bino, and Djonga creates a multifaceted critique that resonates with anyone who values genuine expression over superficial success.