Urubu tá com raiva do boi

“Urubu tá com raiva do boi” by Baiano e Os Novos Caetanos is a satirical and metaphorical song that delves into the complexities and frustrations of modern life. The song uses the imagery of a vulture (urubu) and an ox (boi) to represent a struggle for survival and the inherent conflicts in society. The vulture, a scavenger, is frustrated because it cannot feed on the ox, which refuses to die. This metaphor can be interpreted as a critique of societal structures where the powerful (vulture) are dependent on the suffering or demise of the less powerful (ox) to thrive, but the latter's resilience disrupts this cycle.

The lyrics also touch on various modern anxieties such as fear, anguish, and pollution, reflecting a sense of existential dread. The mention of “seven industrial sins” hints at the environmental and moral degradation brought about by industrialization and modern capitalism. The song's conversational tone, with interjections like “Diga Paulinho, diga,” adds a layer of casualness that contrasts with the heavy themes, making the critique more approachable and relatable.

Furthermore, the song explores the cyclical nature of predation and survival in the animal kingdom, drawing parallels to human society. The mosquito, frog, and snake represent a natural food chain, but the vulture's inability to devour the ox symbolizes a break in this natural order, perhaps alluding to the unnatural and unsustainable practices in human society. The repeated lines about the vulture crying every day emphasize the ongoing struggle and dissatisfaction.

The song also reflects on the absurdity of modern life, where people claim to be “fine” despite underlying issues. This irony is highlighted in the dialogue sections, where the mundane interactions mask deeper societal problems. The closing lines about the divine and human works, and the sensory overload of urban life, encapsulate the chaotic and often contradictory nature of contemporary existence.