She's In Parties

Bauhaus' 'She's In Parties' is a track that delves into the superficial glamour and the underlying isolation of the entertainment industry. The song's lyrics paint a picture of an actress caught up in the world of movies, symbolized by the recurring line 'She's in parties.' This phrase suggests that the woman is part of the social scene and the life of the party, yet there's an implication that she's merely a fixture in these settings, perhaps not fully engaged or fulfilled.

The references to 'Learning lines in the rain' and 'Special effects by Loonatik and drinks' evoke the hard work and sometimes chaotic nature of film production, which is often glamorized or overlooked. The 'graveyard scene' and 'The golden years' could be interpreted as a nod to the fleeting nature of fame and the nostalgia for a bygone era of cinema. The song's atmosphere is further enriched by the mention of technical aspects of filmmaking, like 'Freeze frame screen kiss' and 'Fall guys tumble on the cutting room floor,' which serve to remind the listener of the constructed reality of the film industry.

The line 'It's in the can' repeats like a mantra throughout the song, signifying that the film is complete, but it also hints at a sense of finality or entrapment. The actress is caught in a loop of performances, both on-screen and in the social scenes she frequents. Bauhaus, known for their post-punk and gothic rock style, often explored themes of alienation and the darker side of human experience, and 'She's In Parties' is a testament to their ability to weave these themes into a compelling narrative that resonates with the listener.