Lilith

Bea Duarte's song "Lilith" is a powerful feminist anthem that reclaims the narrative of women through the lens of the mythical figure Lilith. The song opens with a direct address to women, acknowledging their exhaustion from societal rules designed to please the descendants of Adam. This reference to Adam and Eve sets the stage for a deeper exploration of gender roles and the historical subjugation of women. By invoking Lilith, a figure often portrayed as Adam's first wife who refused to be subservient, Duarte challenges the traditional patriarchal narrative and empowers women to listen to their inner voice and recognize their inherent strength.

The lyrics delve into the historical vilification of women, portraying them as witches and madwomen, and attributing all curses to them. This reflects the broader societal tendency to blame women for various ills, a theme that resonates with many feminist critiques. Duarte's assertion, "Não sou costela de Adão não, eu sou filha de Lilith," rejects the notion of women being secondary or derivative of men. Instead, she embraces the identity of Lilith, symbolizing independence, strength, and defiance against patriarchal norms.

The song also incorporates elements of spirituality and nature, with references to the moon, crystals, and incense. These elements highlight a connection to a more ancient, earth-centered spirituality that predates organized religion. By stating, "O meu sagrado tá no fogo e não nas catedrais," Duarte emphasizes a personal and intrinsic sense of sacredness that is not confined to traditional religious institutions. This spiritual autonomy further reinforces the theme of female empowerment and self-determination. Through "Lilith," Bea Duarte not only celebrates the resilience and power of women but also calls for a reclamation of their narrative and identity.