The Gate Of Nanna
Beherit
Exploring the Mystical and Dark Realms in 'The Gate Of Nanna'
Beherit's song 'The Gate Of Nanna' delves into a mystical and dark narrative, drawing heavily from ancient mythology and occult themes. The lyrics transport the listener to a dreamlike state, descending into the 'region of moon' and the 'land, the sphere of eternal sin.' This imagery sets the stage for a journey into a shadowy realm governed by Nanna, a deity associated with the moon in Sumerian mythology. The 'half light, dark the realm of nanna' suggests a place that is neither fully illuminated nor completely dark, embodying the duality of sin and spirituality.
Nanna, also known as Sin, is depicted as a powerful figure, 'the father of the gods' and a 'hero of the gods.' The repeated invocation of 'Lord nanna' emphasizes his significance and the reverence he commands. The lyrics also reference the 'race of anu,' linking Nanna to the ancient Sumerian pantheon and highlighting his divine lineage. The song's chorus, 'Lord nanna, the gate of sin,' suggests that Nanna serves as a portal to a realm of transgression and spiritual awakening, inviting the listener to explore the darker aspects of existence.
The chant 'Ave Satanás, Lúcifer Ave' further intensifies the song's occult atmosphere, invoking Satan and Lucifer, figures often associated with rebellion and enlightenment in various esoteric traditions. The inclusion of 'Alla Xul' and 'Gigim Xul' adds to the song's mystical aura, referencing ancient Mesopotamian spirits or demons. The final word, 'Sleep,' could symbolize a descent into a deeper state of consciousness or a surrender to the dark forces invoked throughout the song. Beherit's 'The Gate Of Nanna' is a powerful exploration of ancient mythological themes, sin, and the allure of the occult, wrapped in a haunting and evocative musical composition.