Retórica Sentimental

Belchior Belchior

A Sentimental Rhetoric of Brazil: Belchior's Poetic Reflection

Belchior's song "Retórica Sentimental" is a profound exploration of Brazilian identity, history, and culture. The lyrics paint a vivid picture of Brazil as a land of mixed heritage, referencing the country's indigenous roots and the influence of African and European cultures. The phrase "três raças tristes" (three sad races) alludes to the complex and often painful history of colonization and slavery that has shaped Brazil. The imagery of "folhas verdes de tabaco e o guaraná, guarani" evokes the natural richness and indigenous heritage of the land, symbolizing both the beauty and the struggles of the Brazilian people.

The song also delves into themes of love and joy, juxtaposing them with historical and cultural references. The mention of "namorados" (lovers) and "Ceci" (a character from Brazilian literature) brings a sense of romanticism and nostalgia. However, this is contrasted with the image of "manequins emocionadas" (emotional mannequins) and "touradas de Madrid" (bullfights in Madrid), suggesting a critique of superficiality and the influence of foreign cultures. The reference to the "buriti perdido" (lost buriti palm) symbolizes a lost innocence and a longing for a simpler, more authentic past.

Belchior's lyrics also pay homage to Brazilian poets and writers, such as Gonçalves Dias, who famously wrote about the sabiá (a native bird). The line "Deus é uma coisa brasileira, nordestinamente paciente" (God is a Brazilian thing, patiently Northeastern) reflects a deep connection to the land and a sense of divine patience and resilience inherent in the Brazilian spirit. The song's closing exclamation, "Oh! Blood Moon!" adds a mystical and almost apocalyptic tone, suggesting a cyclical nature of history and the enduring spirit of the Brazilian people.

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  1. Paralelas
  2. Coração Selvagem
  3. Brasileiramente Linda
  4. Amor e Crime
  5. Bela
  6. Divina Comédia Humana
  7. Esquadros
  8. Arte Final
  9. O Tolo
  10. Galos, Noites e Quintais
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