Panopticon

Belgrado's song 'Panopticon' delves into the concept of surveillance and control, drawing inspiration from the architectural design of the panopticon, a type of institutional building designed by the English philosopher and social theorist Jeremy Bentham. The panopticon allows a single watchman to observe all inmates of an institution without them being able to tell whether they are being watched. This creates a sense of invisible omnipresence, which is a central theme in the song.

The lyrics highlight the evolution of surveillance tactics over time. The lines 'Construction, construction of sight / Focusing unequal gaze upon us' suggest the establishment of a system designed to monitor and control. Despite changes in the form and shape of these systems, the underlying idea of constant observation remains unchanged. The repetition of 'Ideas still the same' emphasizes the persistence of this concept throughout history.

Belgrado also touches on the psychological impact of surveillance. The phrase 'Constant control, permanent infiltration / Molding of the bodies, careful observation' suggests that surveillance extends beyond mere observation, influencing and shaping behavior. The song contrasts the past with the present, noting that while public executions and theatrical displays of power have faded, a 'virtual panopticon' now surrounds us. This modern form of surveillance, facilitated by technology, individualizes power and poses new dangers to personal freedom and privacy.

The chorus, with its repetitive chant of 'Control, control / Endless control,' underscores the pervasive and relentless nature of surveillance. The song serves as a critique of the ways in which power structures adapt and persist, continually finding new methods to exert control over individuals. Belgrado's 'Panopticon' is a powerful commentary on the enduring and evolving nature of surveillance in society.