Historias

Beny Jr's song 'Historias' delves deep into the gritty realities of street life, brotherhood, and the struggles that come with it. The lyrics paint a vivid picture of the artist's experiences and the bonds he shares with his close friends, particularly Omar, whom he refers to as his 'hermanito hasta la muerte' (little brother until death). This phrase underscores the deep sense of loyalty and camaraderie that is a recurring theme throughout the song.

The song is rich with metaphors and cultural references that highlight the challenges and aspirations of those living in marginalized communities. For instance, the line 'Piedras a la Luna pero tú nunca la alcanzas' (throwing stones at the moon but you never reach it) symbolizes the often futile efforts to achieve dreams that seem out of reach. This metaphor is a poignant reflection of the struggles faced by many in the artist's community, where aspirations are high, but opportunities are limited.

Beny Jr also addresses the superficiality and performative nature of social media conflicts, as seen in the lines about insults on Instagram and the lack of genuine respect. The song's narrative is further enriched by references to the dangers and realities of street life, such as the constant hustling ('joseando siempre a diario') and the ever-present threat of violence ('en la cara te dan disparos'). Despite these hardships, there is a sense of resilience and determination, as the artist and his friends navigate their environment with a mix of caution and defiance.

The song's chorus, repeated twice, reinforces the themes of unfulfilled aspirations and the harsh realities of street life. The closing lines, 'Free Omar, cabrón / Fuck the ops, fuck the cops / A million times,' serve as a powerful statement of solidarity and resistance against systemic oppression and adversaries. 'Historias' is a raw and honest portrayal of life in the streets, capturing the essence of struggle, loyalty, and the relentless pursuit of respect and survival.