Como Nada Puedo Hacer

Bersuit Vergarabat's song 'Como Nada Puedo Hacer' is a poignant reflection on the socio-political changes in Argentina from the 1990s to the mid-2000s. The lyrics capture the disillusionment and frustration of a generation that witnessed the decline of their nation's socio-economic conditions. The song begins with a personal anecdote from the 1990s, where the narrator's poetic aspirations are overshadowed by the harsh realities of poverty and hunger. This sets the tone for the rest of the song, highlighting the struggle between artistic expression and survival.

The second verse introduces a scene with Fito Páez, a renowned Argentine musician, who is depicted as being overwhelmed by the same societal pressures. The imagery of Fito with a 'Bic cargada de alcohol' (a pen loaded with alcohol) symbolizes the numbing of creative spirit due to the oppressive environment. The mention of 'profetas nuestros vestidos de jinetes' (our prophets dressed as riders) suggests a sense of lost guidance and direction, as these figures are seen riding towards an uncertain end.

As the song progresses to 2005, the narrator's improved social status is juxtaposed with the unchanged plight of the people from the 90s. The reference to a 'Ford Pluton' and a shopping mall at the ex Luna Park signifies the superficial progress that masks deeper societal issues. The narrator's realization that his silence has been a form of betrayal underscores the impotence felt in the face of systemic failure. The repeated expletive 'hijos de puta' (sons of bitches) serves as a raw, unfiltered expression of anger and helplessness. The song concludes with a powerful message: when all else fails, and silence prevails, the only recourse left is to curse the injustices that persist.