Carta Aos Missionários

Biquini Cavadão's song 'Carta Aos Missionários' is a powerful critique of war, violence, and the destructive tendencies of humanity. The lyrics paint a grim picture of a world where 'missionaries'—a metaphor for those who spread hatred and destruction—proliferate from all corners of the earth. These missionaries bring with them death, discord, greed, and war, highlighting the pervasive nature of these negative forces in our world.

The song also touches on the tragic involvement of children in these conflicts, with lines like 'Crianças matando, crianças inimigas' (Children killing, enemy children). This stark imagery underscores the innocence lost and the cycle of violence perpetuated by successive generations. The mention of 'generais de todas as nações' (generals of all nations) with their 'fardas bonitas, condecorações' (beautiful uniforms, decorations) serves as a critique of the glorification of military leaders and the bloodshed they leave in their wake. The song suggests that history is marred by these 'rastro sujo de sangue e glória' (dirty trail of blood and glory).

In the final verses, the song reflects on the futility and directionlessness of humanity's path, 'Vindo de todas as partes, mas indo pra lugar algum' (Coming from all parts, but going nowhere). This line encapsulates the sense of hopelessness and the cyclical nature of human conflict. The narrator's cry to the horizon, which goes unanswered, symbolizes the search for meaning and the despair that follows when no answers are found. The closing lines, with their repetitive 'na na na' and 'hei hei,' evoke a sense of resignation and the inescapable nature of these issues.