Baby

Bishop Briggs' song "Baby" is a raw and unapologetic ode to a tumultuous yet passionate relationship. The lyrics paint a vivid picture of a partner who is far from perfect, embodying a rebellious and chaotic spirit. With references to zombies, the apocalypse, and black magic, the song sets a tone of dark, edgy romance. The partner's flaws are laid bare—he has a "fucked up head," engages in reckless behavior, and is often misunderstood. Yet, despite these imperfections, the narrator is irresistibly drawn to him, captivated by his charm and the intense connection they share.

The song delves into the complexities of love, highlighting how attraction can often defy logic and societal norms. The partner's quirks, such as his gold tooth, shit car, and penchant for doing "stupid shit" when drunk, are juxtaposed with moments of intimacy and tenderness. The narrator revels in the way he makes her feel, from the simple act of putting her seat back to the thrill of walking train tracks together. This juxtaposition underscores the idea that love is not always about finding someone perfect but rather about embracing someone who makes you feel alive, even if they come with a fair share of chaos.

Culturally, the song taps into the archetype of the "bad boy"—a figure who is often romanticized in music and media. This character is typically rebellious, misunderstood, and exudes a magnetic allure. Bishop Briggs captures this essence, celebrating the wild, untamed aspects of her partner while acknowledging the challenges they bring. The repeated refrain, "Yeah he's fuckin' crazy but he's still my baby," encapsulates the central theme of the song: love is messy, unpredictable, and sometimes irrational, but it's these very qualities that make it so compelling and real.