Tankar I Havanna

Björn Afzelius' song "Tankar I Havanna" is a poignant reflection on the contrasts between life in Cuba and the artist's homeland, likely Sweden. The lyrics paint a vivid picture of Havana's vibrant atmosphere, with its warm music, fragrant night winds, and starry skies. Afzelius uses these sensory details to set the stage for a deeper contemplation of social and political differences.

Throughout the song, Afzelius marvels at the sense of community and equality he observes in Cuba. He notes how people engage with each other, making eye contact and conversing openly, a stark contrast to his experiences back home. The transformation of Havana's streets, where once there were prostitutes, now stands a hopeful future, symbolizes the broader societal changes brought about by the Cuban Revolution. This transformation is further emphasized by the repurposing of opulent palaces into hospitals, daycares, and schools, reflecting a shift from wealth disparity to communal welfare.

The recurring phrase "Jag tänker på hur vi har det därhemma" (I think about how we have it back home) serves as a refrain, anchoring the song's reflective nature. Afzelius contrasts the visible absence of jewelers, fur smugglers, and destitute individuals in Havana with the social issues prevalent in his own country. The song culminates in a sense of pride and inspiration drawn from the Cuban people's unity and resilience against oppression. The communal spirit, especially highlighted in the closing lines where people sing "Guantanamera" together, underscores the theme of solidarity and shared joy.

"Tankar I Havanna" is not just a travelogue but a meditation on social justice, equality, and the power of collective action. Afzelius' admiration for the Cuban Revolution's ideals and his critical view of his homeland's social issues invite listeners to reflect on their own societies and the potential for change.