Chuck Berry

Black Alien's song 'Chuck Berry' is a complex tapestry of introspection, social commentary, and cultural references. The lyrics delve into the artist's internal struggles, societal observations, and the chaotic nature of life. The song opens with a vivid metaphor, 'Vai a bereta, fica a lírica / Caixão não tem gaveta,' suggesting the permanence of death and the fleeting nature of life. This sets the tone for a journey through the artist's mind, where paranoia, schizophrenia, and obsessive-compulsive disorder ('paranoide, esquizofrenia, toc') are ever-present companions.

The song's title, 'Chuck Berry,' and the mention of other rock legends like Little Richard and Elvis Presley, serve as cultural touchstones. Black Alien challenges the notion of Elvis as the 'King of Rock,' asserting that the true essence of rock and roll lies elsewhere. This can be seen as a broader critique of how history often overlooks the contributions of Black artists. The line 'Somos só nós / Eu e eu à sós na ceia' reflects a sense of isolation and self-reliance, a recurring theme in the song.

Throughout the lyrics, Black Alien grapples with existential questions and the passage of time. 'O tempo é rei, eu subo a rua' and 'Deus é mãe, e Ela é justa meu bem' juxtapose the inevitability of time with a divine sense of justice. The artist also addresses societal issues, such as violence and cowardice, with lines like 'Mais que o covid, foi o que eu vi de covarde / Sobrando ego no feed, faltando amor na cidade.' This critique of modern society's lack of empathy and the prevalence of egoism is a powerful statement on the current state of the world.

In the end, the song circles back to the artist's personal struggles, encapsulated in the repeated line 'Eu e meu karma, qual dos dois é o mais cretino, enfim?' This repetition underscores the ongoing battle between the artist and his fate, leaving listeners with a poignant reflection on the human condition.