The Commission

Breton's song 'The Commission' delves into the complexities of identity, choice, and the pressures of societal expectations. The recurring phrase 'Poet's Contract' suggests a binding agreement or obligation, possibly hinting at the artist's struggle with the expectations placed upon them. This 'contract' forces the individual to act in a certain way, perhaps stifling their true voice or creativity. The mention of a 'new voice on the road' and 'an extra choice on the path' indicates the emergence of new opportunities or directions, but these come with their own set of challenges and decisions to be made.

The lyrics 'I'm slipping away when you start to turn' and 'You take yourself down for someone else' reflect the internal conflict and the sense of losing oneself when trying to meet others' expectations. This could be interpreted as the artist's struggle to maintain their authenticity while navigating the pressures of external influences. The repetition of 'On the path, Nevermind, Stand up' serves as a mantra, encouraging resilience and perseverance despite the fading clarity and the constant push to conform.

The song's structure, with its repetitive and almost hypnotic lines, mirrors the cyclical nature of these struggles. The final lines, 'And it's your choice on the car,' emphasize the ultimate responsibility of the individual in making their own decisions, despite the external pressures. Breton's 'The Commission' is a poignant exploration of the tension between personal authenticity and societal expectations, urging listeners to find their own path and stand firm in their choices.