Ruleta Rusa

In 'Ruleta Rusa,' Brock Ansiolitiko delves into the complexities of human imperfection and the paradoxes of achieving dreams. The song opens with a poignant admission: 'Soy cómo un niño pequeño, rompo todo lo que toco.' This line sets the tone for the entire piece, highlighting the artist's self-awareness of his flaws and the inevitable disappointment that follows the fulfillment of dreams. The notion that 'todo lo soñado queda más perfecto en la imaginación' underscores the idea that reality often falls short of our expectations, leaving us with a sense of disillusionment.

The lyrics further explore the artist's internal struggles and emotional vulnerabilities. Ansiolitiko confesses his difficulty in asking for help and his aversion to songs that could easily be his own, suggesting a deep-seated discomfort with vulnerability and self-exposure. The line 'antes de llorar, prefiero reír' reveals a coping mechanism of masking pain with humor, a common yet complex human behavior. The artist's acknowledgment of his 'mil defectos para corregir' and the paradoxical statement that 'incluso ser perfecto es un defecto en sí' reflect a profound understanding of the human condition, where striving for perfection is both a goal and a flaw.

The recurring motif of 'Bang, bang' serves as a metaphor for failure and the harsh judgments we impose on ourselves. Despite these failures, Ansiolitiko finds solace in the idea that 'ser un fallo, fue el acierto más grande que fui,' embracing his mistakes as integral parts of his identity. The song's title, 'Ruleta Rusa,' evokes the high-stakes gamble of life, where each decision can lead to unexpected outcomes. The artist's journey of self-discovery and acceptance is encapsulated in the closing lines, where he acknowledges that 'nadie es veinticuatro horas cien por cien correcto,' reminding us that imperfection is an inherent part of being human.