D'oro

Mila's song 'D'oro' delves into the deceptive allure of wealth and fame, critiquing the materialistic values that dominate modern society. The lyrics open with a rhetorical question, challenging the notion that money brings happiness. By referencing King Midas, a mythological figure who turned everything he touched into gold but ultimately found no joy in his riches, Mila sets the stage for a broader commentary on the emptiness of material wealth. The song suggests that the pursuit of money and fame leads to a fleeting sense of satisfaction, likening it to a drug that creates dependency and eventual mental decline.

The chorus emphasizes the superficiality of material possessions, describing them as 'rubíes de cero quilates' and 'falsos diamantes'—worthless imitations that people collect in exchange for flattery. Mila argues that if everything one touched turned to gold, it would merely be a fleeting desire, not a source of true fulfillment. The high cost of fame, both in terms of personal sacrifices and the toll it takes on one's life, is a recurring theme. The metaphor of the glass slipper, which can easily break, and gold that can tarnish, further underscores the fragility and impermanence of these pursuits.

Mila also critiques the performative nature of philanthropy and public personas, questioning the sincerity behind acts of charity when they are done for the sake of cameras and public approval. The song's repeated references to the lack of serotonin and dopamine—chemicals associated with happiness and pleasure—highlight the emotional void that materialism fails to fill. The final verses drive home the point that even the finest jewels lose their luster when one is reduced to ashes, suggesting that true value lies beyond material possessions.

'D'oro' serves as a powerful reminder of the hollowness of materialism and the importance of seeking deeper, more meaningful sources of happiness. Mila's poignant lyrics and evocative metaphors invite listeners to reflect on their own values and the true cost of their desires.