Ladainha Angola

“Ladainha Angola” is a heartfelt ode to the Brazilian martial art of capoeira, a practice that blends dance, music, and acrobatics. The song, performed by an anonymous capoeira artist, delves into the profound impact that capoeira has on the singer's life, portraying it as a source of passion, freedom, and personal transformation. The repetitive declaration, “Olha eu amo a capoeira” (Look, I love capoeira), sets the tone for the song, emphasizing the deep emotional connection the artist has with this cultural practice.

The lyrics highlight capoeira as a means of expressing both affirmation and resistance. The artist uses capoeira to say “yes” to friendship and heartfelt matters, and “no” to arrogance and oppression. This duality reflects the historical roots of capoeira, which originated among enslaved Africans in Brazil as a form of resistance and a way to preserve their culture. The mention of traditional instruments like the berimbau, agogô, and pandeiro underscores the importance of music in capoeira, not just as an accompaniment but as an integral part of the practice that guides the movements and rhythms.

The song also touches on the personal journey of the artist, who finds freedom and identity through capoeira. The conflicting advice from the artist's parents—“my father said yes, my mother said no”—illustrates the challenges and societal pressures faced. Yet, capoeira emerges as a liberating force, making the artist feel truly free. The reverence for the masters and the divine—“Maior é Deus, Pequeno sou eu” (God is greater, I am small)—reflects the humility and respect inherent in capoeira culture. The call to action, “É hora, é hora” (It’s time, it’s time), signifies readiness and a sense of urgency, inviting others to join in this transformative journey.