A Una Bella Durmiente

Carlos Cano Carlos Cano

The Lament of a Sleeping Beauty: A Journey Through Poverty and Hope

Carlos Cano's song "A Una Bella Durmiente" is a poignant exploration of poverty, despair, and the enduring hope for a better future. The title, which translates to "To a Sleeping Beauty," sets the stage for a narrative that juxtaposes the harsh realities of life with the dream of a transformative love. The lyrics paint a vivid picture of a woman who was once a queen in a paradise of lilies and wheat, now reduced to a life of poverty and marginalization. This stark contrast serves as a powerful metaphor for lost potential and forgotten beauty.

The song delves into the societal neglect and stigmatization of the poor, describing the woman as a beggar, barefoot, sad, alone, and in rags. She is forced to sell her fantasies, soul, and song in nights of revelry, highlighting the dehumanizing effects of poverty. The imagery of geraniums and brown sugar on her lips evokes a sense of sweetness and beauty that still lingers despite her dire circumstances. The metaphor of a wild horse running and a seagull flying in the wind symbolizes her untamed spirit and the fleeting nature of freedom and happiness.

Cano's lyrics also offer a glimmer of hope. The lines "ya vendrá el viento, traerá la vida y la memoria, vencerá al silencio" suggest that change is on the horizon. The wind will bring life and memory, overcoming the silence that has enveloped her. The song concludes with the hopeful assertion that the woman, referred to as "mi reina" (my queen), is merely asleep, waiting for the kiss of love to awaken her. This final image encapsulates the enduring hope for redemption and the transformative power of love, even in the face of overwhelming adversity.

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  1. Maria La Portuguesa
  2. El Día Que Nací Yo
  3. En La Palma de La Mano
  4. Siempre
  5. El Rey Al-mutamid Dice Adios a Sevilla
  6. Tango de Las Madres Locas
  7. No Son Palabras de Amor
  8. Peteneras de Sierra Morena
  9. Aires de Cuna
  10. Las Murgas de Emilio El Moro
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