Siga El Corso

Carlos Gardel Carlos Gardel

The Enigmatic Dance of Love and Mystery in 'Siga El Corso'

Carlos Gardel's 'Siga El Corso' is a vivid portrayal of the vibrant and enigmatic atmosphere of a carnival, where masks and disguises create a world of mystery and fleeting romance. The song's lyrics paint a picture of a Colombina, a traditional character from the Commedia dell'arte, who uses her makeup and mask to hide her true emotions and intentions. The imagery of 'humo de la hoguera de su corazón' (smoke from the bonfire of her heart) suggests a burning passion concealed behind her playful exterior.

The narrative continues with the description of a 'marquesa de la risa loca' (marquise of crazy laughter) who paints her lips to kiss a clown, symbolizing the whimsical and transient nature of carnival relationships. The serpentine movements and the colorful chaos of the carnival night are captured through phrases like 'serpentina nerviosa y fina' (nervous and fine streamer) and 'noche de carnaval' (carnival night). The protagonist's desire to uncover the true identity of the masked woman reflects a deeper yearning for genuine connection amidst the superficiality of the festivities.

Gardel's lyrics also delve into the theme of unrequited love and the pain of longing. The masked woman teases the protagonist with questions like '¿Quién soy? ¿Adónde voy?' (Who am I? Where am I going?), adding to the sense of mystery and unattainability. The plea to 'descúbrete, por fin' (reveal yourself, finally) and the acknowledgment that 'detrás de tus desvíos, todo el año es Carnaval' (behind your diversions, all year is Carnival) highlight the perpetual nature of this elusive love. The song captures the essence of carnival as a metaphor for the masks people wear in their daily lives and the fleeting, often illusory nature of love and desire.

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  1. Patotero Sentimental
  2. Por Una Cabeza
  3. Volver
  4. Yira, Yira
  5. El Día Que Me Quieras
  6. Galleguita
  7. Cambalache
  8. Mano A Mano
  9. Paginas De Amor
  10. Cuesta Abajo
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