Che, Bartolo

Carlos Gardel's song 'Che, Bartolo' is a vivid portrayal of social pretension and the clash between appearances and reality. Gardel, a legendary figure in tango music, uses this song to critique those who put on airs and adopt false personas to fit into higher social circles. The lyrics are rich with Argentine slang and cultural references, painting a picture of a character named Bartolo who is trying to pass himself off as someone of higher status, despite his true background.

The song opens with a direct confrontation, where the narrator challenges Bartolo's pretentious behavior. The use of terms like 'viviyo de aspamento' (show-off) and 'malandrín de meta y ponga' (crook) sets the tone for the critique. The narrator is not fooled by Bartolo's flashy appearance and calls him out for his deceit. The reference to 'El Marqués de Bocanegra' is a sarcastic jab, highlighting the absurdity of Bartolo's self-proclaimed nobility.

Gardel's lyrics also delve into the theme of authenticity versus pretense. The narrator contrasts Bartolo's polished exterior with the reality of his father's humble and struggling existence. This juxtaposition underscores the hollowness of Bartolo's facade. The song's chorus, with its repeated calls to 'Che, Bartolo,' serves as a reminder that true respect and nobility come from one's actions and character, not from superficial appearances or stolen titles.

'Che, Bartolo' is a powerful commentary on social mobility and the lengths to which individuals will go to reinvent themselves. Gardel's masterful storytelling and use of colloquial language make this song a timeless critique of human nature and societal norms.