Pato

Carlos Gardel's song 'Pato' is a poignant critique of social pretension and the fleeting nature of fortune. The lyrics tell the story of a man who once belonged to a humble neighborhood but has now adopted the airs of a wealthy dandy, or 'bacán.' The narrator observes this transformation with a mix of disdain and sorrow, noting how the man now drives a fancy car and pretends not to recognize his old friends. The term 'Pato,' which can be translated to 'duck,' is used here as a metaphor for someone who is all show and no substance, a person who is trying to appear more important than they really are.

The song delves into the theme of social mobility and the superficiality that often accompanies it. The narrator accuses the man of being a 'pato' in every sense, highlighting his pretentiousness and lack of genuine character. Despite his newfound wealth and status, the man is still seen as a 'poor otario' (a fool) by those who knew him before. The lyrics also touch on the transient nature of luck and fortune, suggesting that the man's current status is precarious and could easily change. The narrator warns that if the man's luck runs out, he will find himself back in the old neighborhood, begging for help.

Gardel's use of vivid imagery and colloquial language adds depth to the song's message. Phrases like 'te peinas a la gomina' (you slick your hair with pomade) and 'te pagan mucho vento pa lucirte en el Pigall' (they pay you a lot to show off in Pigall) paint a clear picture of the man's superficial lifestyle. The song serves as a cautionary tale about the dangers of losing oneself in the pursuit of social status and the importance of staying true to one's roots. Gardel, known for his tango music, often explored themes of love, loss, and social issues, making 'Pato' a quintessential example of his lyrical prowess and cultural commentary.