Todavía Hay Otarios

Carlos Gardel's song "Todavía Hay Otarios" delves into the timeless theme of gullibility and the perpetual existence of fools in society. Gardel, a legendary figure in the world of tango, uses his lyrical prowess to paint a vivid picture of a world where, despite claims to the contrary, there are always people who can be easily deceived. The song's title, which translates to "There Are Still Fools," sets the tone for a satirical exploration of human nature and societal dynamics.

In the lyrics, Gardel challenges the notion that everyone has become savvy and street-smart. He argues that for every clever person, there are numerous gullible individuals born each month. This observation is illustrated through the characters of Yvonne, Colette, Rosario, and others, who each have their own 'robusto otario' or 'robust fool' supporting them financially. The song humorously critiques the transactional relationships between these women and their benefactors, highlighting the cyclical nature of exploitation and naivety.

Gardel's reference to the past, where older men would financially support younger women, contrasts with the present, where even the younger generation is caught up in the same dynamics. The song's chorus invites women of 'vida galante' or 'gallant life' to take advantage of the abundance of fools, emphasizing the idea that the market for deception is always thriving. Through its witty and ironic lyrics, "Todavía Hay Otarios" serves as a commentary on the enduring presence of gullibility and the human tendency to fall into the same traps, generation after generation.