De Muy Buen Ver

Carmen Paris Carmen Paris

Unveiling the Tyranny of Beauty Standards in Modern Culture

Carmen Paris's song "De Muy Buen Ver" is a sharp critique of contemporary beauty standards and the societal pressures that accompany them. The lyrics delve into the pervasive influence of media and advertising, which promote an exaggerated and often unattainable ideal of physical appearance. Paris highlights how this obsession with outward beauty, particularly the emphasis on enhanced and inflated body parts, overshadows individual talents and intellectual pursuits. The song suggests that society's fixation on aesthetics leads people to invest in artificial enhancements rather than personal growth and education.

The song also addresses the commodification of women's bodies, as seen in the extensive sections of newspapers dedicated to personal ads and the portrayal of women as mere objects of desire. Paris points out the irony in societal debates over issues like the Muslim veil while simultaneously promoting scantily clad women as the norm. This juxtaposition underscores the contradictory and often hypocritical nature of cultural norms regarding women's appearances. The lyrics call for a wake-up call, urging listeners to recognize and resist the oppressive beauty standards imposed by society.

Furthermore, Paris's use of humor and irony, such as the comparison to the town of Longares where "four eggs are two pairs," adds a layer of satirical commentary on the absurdity of these standards. The song ultimately serves as a powerful reminder that true worth and talent cannot be measured by physical appearance alone. It encourages a shift in focus from superficial beauty to genuine self-expression and intellectual achievement, challenging listeners to break free from the cultural tyranny of appearance.

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  1. Mañana de Carnaval (manhã de Carnaval)
  2. Jotera lo seras tú
  3. No me vas a embolicar
  4. Cuerpo Triste
  5. Guaraní
  6. Para Que Tú Me Oigas
  7. Todo Es Pena
  8. Distancia Espeluznante
  9. De Muy Buen Ver
  10. Albada
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