Casa Kira (part. Orslok)

Carolina Durante's song 'Casa Kira,' featuring Orslok, delves into the repetitive and often destructive cycle of escapism that many young people experience. The lyrics paint a vivid picture of a house party that never ends, filled with the same 'monsters' or people, and a dance floor that transforms the small space into another dimension. This setting becomes a metaphor for the endless loop of partying, drinking, and drug use as a means to escape reality. The song captures the sense of being trapped in this cycle, with the characters unable to leave, both physically and emotionally.

The chorus emphasizes the repetitive nature of their actions: 'Quedamos y bebemos y nos drogamos' (We meet, we drink, and we do drugs). This repetition highlights the monotony and predictability of their lifestyle, where every night ends up the same. The lyrics also touch on the fleeting moments of affection and connection ('nos queremos' - we love each other), which are often superficial and temporary, overshadowed by the haze of substance use. The song suggests a longing for something more meaningful but acknowledges the difficulty of breaking free from this cycle.

Orslok's verse adds another layer to the narrative, expressing a sense of disillusionment and resignation. He mentions using his 'cadáver pa' parar el tren' (corpse to stop the train), a stark metaphor for the self-destructive behavior that comes with this lifestyle. The verse also touches on the fear of facing reality ('me da miedo dormir' - I'm afraid to sleep) and the desire to avoid thinking about the future. The song concludes with a sense of inevitability, as the characters resign themselves to repeating the same actions, unable to find a way out.

'Casa Kira' is a poignant reflection on the struggles of youth, the search for meaning, and the traps of escapism. It captures the essence of a generation grappling with existential questions and the allure of temporary relief through substances and fleeting connections.